tag:blogger.com,1999:blog-88130341915161669802024-03-05T00:55:18.348-06:00The Dead Don't DieZombie MusingsRJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.comBlogger95125tag:blogger.com,1999:blog-8813034191516166980.post-85864929783719683852012-04-09T01:10:00.009-05:002012-04-09T01:54:59.212-05:00New Stephen King Novel: JOYLAND<span><span style="font-size: 100%;">Stephen King is a busy man: hot off the heels of 11/22/63, the Kennedy Assassination time-travel epic that became his biggest hit in decades, the Constant Writer revisits the world of Roland Deschain, the </span>last<span style="font-size: 100%;"> Gunglinger. </span></span><div><span><span style="font-size: 100%;"><br /></span></span></div><div><span><span style="font-size: 100%;">THE WIND THROUGH THE KEYHOLE revisits our ka-tet on the Path of the Beam and is set between the events of WIZARD AND GLASS and WOLVES OF THE CALLA. A tale within a tale within a tale, WIND will likely offer little new insight into the nature of the Tower, but will be a treat for long-time readers who miss Roland, Jake, Eddie, Susannah, and Oy--arguably King's most </span>compelling<span style="font-size: 100%;"> cast of characters.</span></span></div><div><span><br /></span></div><div><span>THE WIND THROUGH THE KEYHOLE lands April 24 in every format under the sun, including good, old-fashioned print. For now, here's a ten minute audio excerpt.</span></div><div><span><br /><iframe width="560" height="315" src="http://www.youtube.com/embed/-3itqz2KgIg" frameborder="0" allowfullscreen=""></iframe><br /></span></div><div><div><span><span><br /></span></span></div><div><span>King has long joked about bringing Danny Torrance back one day, saying that he always imagined Danny eventually running into Charlie from FIRESTARTER. They'd go on an adventure, fall in love, and have two or three horrifically dangerous children...</span></div></div><div><span><br /></span></div><div><span>DOCTOR SLEEP, the sequel to THE SHINING, will be released some time next year, but don't expect any tongue-in-cheek FIRESTARTER crossover: DOCTOR SLEEP promises to be, in King's own words, "balls-to-the-wall, keep-the-lights-on horror."</span></div><div><span><br /></span></div><div><span>I'm sorry that Stankey Kubrick isn't around to direct the fanbase-infuriating-yet-ultimately-brilliant film adaptation. And with luck, Mick Garris and King himself will steer clear of the inevitable movie version. The last time those two went near the Overlook... not too pretty.</span></div><div><span><br /></span></div><div>The ink is still wet on this one:</div><div><br /></div><div>In a Sunday Times interview conducted by Neil Gaiman, King mentioned his newest project, an amusement-park serial-killer novel titled JOYLAND. </div><div><br /></div><div>No word if it takes place in the actual Joyland, an abandoned amusement park in Wichita, Kansas:</div><div><br /></div><iframe src="http://player.vimeo.com/video/22050735?title=0&byline=0&portrait=0" width="400" height="225" frameborder="0" webkitallowfullscreen="" mozallowfullscreen="" allowfullscreen=""></iframe><div><br /></div><div>No word on pretty much anything else, though I suspect it won't be long before King is dropping hints. Meantime, we're left to wonder: is JOYLAND the Richard Bachman (and Richard Stark-like) crime novel King teased on the 11/22/63 tour, or is it an entirely separate work?</div><div><div><br /></div></div><div><br /></div>RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-92230481972898397792011-09-28T01:44:00.016-05:002011-09-28T03:32:44.213-05:00Bev Vincent and the Hidden Secrets of the UniverseI first encountered Bev Vincent about thirteen years ago. I'd gotten a hold of some photocopied screenplays of unproduced Stephen King films and, like all opportunistic nerds in 1998, I decided to make copies and sell them on eBay. Bev bought one, and I very idiotically asked her if she wanted photocopies of THE PLANT.<br /><br /><span style="font-style: italic;">No, thanks</span>, she said. <span style="font-style: italic;">I have the real thing</span>. That may not be verbatim, but there it was. She proceeded to school my ass in the finer points of why offering to sell photocopies of a Stephen King novel was <span style="font-style: italic;">no</span>t a good idea.<br /><br />I got her check, saw her name and that of her wife, and thought, <span style="font-style: italic;">awesome, a lesbian doctor</span>.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje-rRJ2U2VEadO396l0QOSqe8FJcCAxCxnJWHNgcQPSs2RoeikwdtHnrUAq5NkRk5LKghSiM3yqzC_3-TWS6gNFZsMJqfOR0a8twX5d2P7-mHSP_S_jIpTcgYd0-CnMo7SzEQQxQzC074/s1600/Just-What-the-Lesbian-Doctor-Ordered.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 133px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje-rRJ2U2VEadO396l0QOSqe8FJcCAxCxnJWHNgcQPSs2RoeikwdtHnrUAq5NkRk5LKghSiM3yqzC_3-TWS6gNFZsMJqfOR0a8twX5d2P7-mHSP_S_jIpTcgYd0-CnMo7SzEQQxQzC074/s200/Just-What-the-Lesbian-Doctor-Ordered.jpg" alt="" id="BLOGGER_PHOTO_ID_5657323406883039474" border="0" /></a>Five or six years later--long after I learned that Bev was, in fact, a man, and that the possibility didn't cross my mind because I was raised in a semi-literate redneck hell in which men named Bev could never be permitted to exist--my wife and I got the bright idea to start a small press.<br /><br />(You probably know <a href="http://www.darkscribemagazine.com/feature-interviews/from-wedlock-to-hemlock-an-interview-with-rj-and-julia-sevin.html">the story</a>. If not, follow that link once I'm done blowing your mind.)<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOeGUXE92jPbEKN_NItVhpdfeQKvvN2mxeb8wmMsKZg0MgZNiPUfhkSA4rRWnw6lNNwjBsD80IZzLI95_b2OfolH6WkQ6_ukUOM2Wcl8aZEI4vYZhmdnnu5ZENqRMq__h5e-GsoBOxlK0/s1600/shirtbev.jpg"><img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 200px; height: 192px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOeGUXE92jPbEKN_NItVhpdfeQKvvN2mxeb8wmMsKZg0MgZNiPUfhkSA4rRWnw6lNNwjBsD80IZzLI95_b2OfolH6WkQ6_ukUOM2Wcl8aZEI4vYZhmdnnu5ZENqRMq__h5e-GsoBOxlK0/s400/shirtbev.jpg" alt="" id="BLOGGER_PHOTO_ID_5657318777432506482" border="0" /></a>Anyhow--we decided that an anthology would be the first venture of the newly-formed <a href="http://www.creepinghemlock.com/">Creeping Hemlock Press</a>, the evocatively titled <span style="font-style: italic;">Corpse Blossoms</span>. By that point, we'd become friendly with Bev, so he was one of the first people we invited to submit a story, and he was the very first to deliver. It's a damned fine story, and we bought it.<br /><br />A year later, <span style="font-style: italic;">Corpse Blossoms</span> was compiled and awaiting its trip to the printer, and we were homeless, thanks to Hurricane Katrina. In a hellishly slow nineteen hour drive, we evacuated to Houston, where Bev visited us at our hotel and treated us to a lovely meal. We were harried and in shock, but it was a wonderful experience--Bev is (or appears to be) a very sweet and kind human being, and meeting with him made us feel as if we were actually a part of this strange little community.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCJxjDaPVfyKI0tJv1DQaYZabZt8RDKY2txGC8HM5o9wqmi1iyfRuahrynrhFS5duabJ7KLiGUa1Ns0qYwbH789UyzOgffFD6QGzEaSYd_G0IXzth3gm1svJDxCfqZP3uYmIzwjZGGP4s/s1600/menbev.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 110px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCJxjDaPVfyKI0tJv1DQaYZabZt8RDKY2txGC8HM5o9wqmi1iyfRuahrynrhFS5duabJ7KLiGUa1Ns0qYwbH789UyzOgffFD6QGzEaSYd_G0IXzth3gm1svJDxCfqZP3uYmIzwjZGGP4s/s200/menbev.jpg" alt="" id="BLOGGER_PHOTO_ID_5657319656384165682" border="0" /></a>We stayed in touch via the magic of the internet, and I next saw Bev four years later, in Atlanta, at a Stephen King public appearance in support of <span style="font-style: italic;">Under the Dome</span>. Once again, I was a mess, this time because I was on the tail end of a nasty bout of swine flu. My motel was farther from the event than I'd thought, and I foolishly chose to walk instead of catch a cab. I arrived sheathed in sweat and bubbling snot, but I managed to not get anyone sick. Bev inscribed my copy of <span style="font-style: italic;">The Stephen King Illustrated Companion</span> (<span style="font-style: italic;">For that bastard Ronnie</span>), and we had a great old time.<br /><br />Take my hand and move forward with me now, and this will all start to make horrific sense. WORLD HORROR 2011 in Austin, Creeping Hemlock's first major convention appearance. We launched our awesome new zombie imprint there, <a href="http://www.printisdead.com/">Print Is Dead</a>, and an even greater time was had. Bev was there, serving as Guest of Honor Liaison, and we were very happy to see him again.<br /><br />And again. And again.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc0H45b-C5GsS8OtP7CyTnzDXAsMR__5pgLZO319UkrWjnsPYkZeLdDFZHHXg1Z1THZBxmntT92VxJ1crKd396tsD8x7ZxuiEUDAVI7LGAAkKS5H27yVx2Y6c9hhbIWHmGAKhaa9C83GI/s1600/bevchair2.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 126px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc0H45b-C5GsS8OtP7CyTnzDXAsMR__5pgLZO319UkrWjnsPYkZeLdDFZHHXg1Z1THZBxmntT92VxJ1crKd396tsD8x7ZxuiEUDAVI7LGAAkKS5H27yVx2Y6c9hhbIWHmGAKhaa9C83GI/s400/bevchair2.jpg" alt="" id="BLOGGER_PHOTO_ID_5657320335032137746" border="0" /></a>See, every time I turned around, it seemed like Bev was there, sitting in a chair wearing one of his trademark loud shirts, his laptop perched upon his knees. The dude gets around. He's in great shape. He's a ball of energy.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3HRS0O2fHeovT615i1fV_VjanlYX30DbTeuQiLbHfAUZ5EStq3lBCIST6PCwp-ZzmICUP5HoGyLV-1qcCcXFKd-mHqOPsl7ALJQQZF9vZumL7tU4ygdocF5VjpvFYgtXL9mNrKzOI_hQ/s1600/bevchair3.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 230px; height: 173px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3HRS0O2fHeovT615i1fV_VjanlYX30DbTeuQiLbHfAUZ5EStq3lBCIST6PCwp-ZzmICUP5HoGyLV-1qcCcXFKd-mHqOPsl7ALJQQZF9vZumL7tU4ygdocF5VjpvFYgtXL9mNrKzOI_hQ/s400/bevchair3.jpg" alt="" id="BLOGGER_PHOTO_ID_5657320651278223218" border="0" /></a><br />It wasn't until near the end of the con that I learned about the room with the free coffee and donuts. This was late in the day on Saturday. Friday night had been intense, and I needed coffee. Bev was there, perhaps getting coffee himself. I half-joked that he was everywhere and that a thinny (those strange portals between worlds in King's DARK TOWER novels) must surely be involved.<br /><br />Bev laughed, and something about the look in his eyes chilled my heart and made the flesh of my scrotum tighten.<br /><br />I got my donut and coffee, left the room with Bev in it, walked down the hall--it was a long walk--and got to the elevator. Rode it down to the lobby, stepped out...<br /><br />Walking toward me? Bev Vincent. Not possible, but there he was.<br /><br />He gave me a wicked, knowing smile, and I felt the world shift beneath my feet. Everything clicked into place: the <span style="font-style: italic;">nineteen</span> hour drive that led me to my first meeting with Bev; the Captain Trips-like flu that plagued me prior to my second meeting with him.<br /><br />And now this. Whether by accident or by some strange design, the purpose of which has not yet been made clear, I was afforded a glimpse past the veil of this reality and into the greater truth beyond--that of the Tower.<br /><br />What is Bev Vincent? He is not human--that much is clear. I saw him several times more before the convention ended. We stood outside of a packed party and talked <span style="font-style: italic;">Planet of the Apes</span> while Peter Straub shuffled by with a drink in his hand and Nick Mamatas threatened to kick someone out for being a loudmouth asshole. Bev came to our table and talked shop. And through it all, there was an awareness, an unspoken acknowledgement.<br /><br />I saw him sitting in the lobby on that final day, his laptop once more placed atop his knees, which now seemed knobby and to quiver, the cloth of his pants holding back some impossible insect anatomy, the patterns on his shirt shifting, ever so slightly, his glasses doubling and trebling his eyes until I found myself blinking away the lidless alien leer of a spider.<br /><br />One can only withhold the truth for so long, and I am no longer strong enough to do so. Nor do I care that people will think me mad. I need the nightmares to stop. I need to stop looking up at the clock every single day just in time to see it click over to 9:19.<br /><br />I need to stop seeing Bev Vincent every time I close my eyes.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEJFkTf9TTar7m25ElYt2FWzK-POCIn-OzOWpP8WGIQ4WcLOkSqRmNxEplIkgq4a9YXjkMn_wfa5tCKmAuU69IHyxXfBMTMrJC-UBvegDK1Z4sBh3EdGMygR06zQSebsVzMrocyEas3aE/s1600/bevchair1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 251px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEJFkTf9TTar7m25ElYt2FWzK-POCIn-OzOWpP8WGIQ4WcLOkSqRmNxEplIkgq4a9YXjkMn_wfa5tCKmAuU69IHyxXfBMTMrJC-UBvegDK1Z4sBh3EdGMygR06zQSebsVzMrocyEas3aE/s400/bevchair1.jpg" alt="" id="BLOGGER_PHOTO_ID_5657321457728124114" border="0" /></a>I probably won't survive the day. As soon as this goes live, I expect the agents of the Crimson King, led by his chief emissary in this When--Mr. Bev Vincent, who is not a lesbian doctor--to congregate at my house and unravel my mind.<br /><br />Which is a shame, because I was hoping in my next entry to reveal another cosmic truth I learned at WHC 2011: every time you look at John Skipp, no matter how often, he is climaxing.<br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv46emeNVj5Mkee774pDUXFE8SYNyHmwq-6q6sL2xRb1lXjf1v2u3jcrBdEwU7CgglusOWLlZ0KwiG-LpdvCnBTitz_Z6xoPaKbRT95AFpkLSVrHN1vvEj5nCnlXiJb8hm-MtX2AfB3IU/s1600/skippcome.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 165px; height: 301px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv46emeNVj5Mkee774pDUXFE8SYNyHmwq-6q6sL2xRb1lXjf1v2u3jcrBdEwU7CgglusOWLlZ0KwiG-LpdvCnBTitz_Z6xoPaKbRT95AFpkLSVrHN1vvEj5nCnlXiJb8hm-MtX2AfB3IU/s400/skippcome.jpg" alt="" id="BLOGGER_PHOTO_ID_5657322362202768306" border="0" /></a>RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-55438218355775155202011-09-26T16:20:00.009-05:002011-09-26T18:13:19.987-05:00DR. SLEEP: Stephen King Shines On<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgsy9kaoguEDUDJ0_9aI5UT78Fab6PRqMUxu3xi1Li0eRKUcLhJBDGi4E__U05a29Ip0AgynTbSGNofY34qYI0zpr02Z0OfCyWpVFFNVcXpE8qrtvpYjWNo-DrMh88YLsOpmrMGlbspQo/s1600/shining-stephen-king.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 125px; height: 190px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgsy9kaoguEDUDJ0_9aI5UT78Fab6PRqMUxu3xi1Li0eRKUcLhJBDGi4E__U05a29Ip0AgynTbSGNofY34qYI0zpr02Z0OfCyWpVFFNVcXpE8qrtvpYjWNo-DrMh88YLsOpmrMGlbspQo/s320/shining-stephen-king.jpg" alt="" id="BLOGGER_PHOTO_ID_5656802650537194626" border="0" /></a><br />For years, King talked about writing a sequel to 'SALEM'S LOT, his second published novel. Details were sketchy, and he was never very clear on what this follow-up would entail. There was talk, however briefly, about some kind of shared world sequel to LOT-- he'd write one, but other authors would get a chance to, as well. (As I recall, he specifically mentioned his wife Tabitha and Clive Barker.)<br /><br />Eventually we got a 'SALEM'S LOT sequel of sorts, in the form of DARK TOWER V: WOLVES OF THE CALLA, in which Father Callahan's exploits following his trip to the Greyhound station are explored in great detail.<br /><br />King allows his books to overlap quite often, but with the exception of the DARK TOWER and THE TALISMAN, he's never really been a sequel kind of guy... until now.<br /><br />As we near the release of his JFK/time travel epic, 11/22/63, King is working on DR. SLEEP, a sequel to THE SHINING--his third published novel and perhaps his most well-known and iconic work (thanks as much to Jack Nicholson and Stanley Kubrick as to the novel, if not more so).<br /><br />He first broached the DR. SLEEP subject while touring to promote UNDER THE DOME. The novel would, he said, follow forty-year-old Danny Torrance, now an orderly at a hospice, surrounded by death and still dealing with the scars he obtained during his stay at the Overlook. In addition to using his powers at the horse track, Danny secretly helps the terminally ill at the hospice to peacefully pass on to the other side.<br /><br />King seemed excited about the idea and was eager to share, but quickly warned that he should probably stop talking about it, as it would hurt its chances of becoming a reality. “It’s a great idea," he told Entertainment Weekly in November of 2009. "And I just can’t seem to get down to it... People shouldn’t hold their breath."<br /><br />Not long after, there was a poll at King's official site, asking which book Constant Readers wanted more --DR. SLEEP or THE WIND THROUGH THE KEYHOLE (a DARK TOWER novel that takes places between Books IV and V).<br /><br />DR. SLEEP won by 49 votes, but the call of the Tower was stronger: King wrote THE WIND THROUGH THE KEYHOLE and DR. SLEEP seemed to have gone away for a while...<br /><br />...until King read from it three days ago at The Fall for the Book Festival at George Mason University in Fairfax, Virginia, where he was given the 2011 Mason Award. The selection he read deals with "The Tribe," a group of psychic vampires who travel the highways and byways of America in mobile homes.<br /><br />One can assume that Danny Torrance will encounter these creatures at some point.<br /><br />I'm of two minds: excited and cautious. THE SHINING has nearly thirty-five years of cultural saturation under its belt. For many readers, it's an old friend. Even if DR. SLEEP is a technically better novel (it's possible--when he's on, King is a better writer today than he ever was), it will come as a disappointment to most.<br /><br />Then there's the issue of <span style="font-style: italic;">which</span> King is writing this novel--the serious, focused King who wrote BAG OF BONES, LISEY'S STORY, and DUMA KEY--or the everything-and-the-kitchen-sink goofball behind DESPERATION and UNDER THE DOME.<br /><br />I'm there either way, of course. Such is the life of a Constant Reader...<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVBdHtGfdG3nfVgOY6UYe6mfcAQodiyTB5z0dyN8oBYt71LyPzAySdx3dxWMAIcIqCf-NlXTvIyC68Z0VAdZoYSZDeMteyiC4QGNuGcPfl8XSxWC4B6FGPBnpqrp7175KbNWq_6hMYARo/s1600/king_mason_1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 257px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVBdHtGfdG3nfVgOY6UYe6mfcAQodiyTB5z0dyN8oBYt71LyPzAySdx3dxWMAIcIqCf-NlXTvIyC68Z0VAdZoYSZDeMteyiC4QGNuGcPfl8XSxWC4B6FGPBnpqrp7175KbNWq_6hMYARo/s320/king_mason_1.jpg" alt="" id="BLOGGER_PHOTO_ID_5656802386879184546" border="0" /></a><br /><span style="font-style: italic;">(Aside: THE SHINING, as you may know, is dedicated to "Joe Hill King, who shines on." Going back to the concept of someone else writing a sequel to a King novel, can you imagine a SHINING sequel penned by Joe Hill?)</span>RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-87600659558852657502011-09-14T04:15:00.001-05:002011-09-14T04:15:48.716-05:00PRINT IS DEAD: Press Roundup<a href="http://zom-talk.blogspot.com/2011/09/print-is-dead-press-roundup.html">Here you go.</a>RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-81491683111198153572011-09-08T02:48:00.002-05:002011-09-08T02:49:54.634-05:00Zombie TalkZombie Talk <a href="http://zom-talk.blogspot.com/2011/09/interview-andrew-jones-night-of-living.html">interviews</a> the producer of the upcoming UK-based remake of NIGHT OF THE LIVING DEAD.RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-79933650594052077202011-06-17T16:27:00.020-05:002011-06-18T02:47:41.890-05:00GREEN LANTERN and THORIn terms of quality, they're pretty much the same movie.<span style="font-style: italic;"> Green Lantern </span>is not as bad as it could have been. It's not <span style="font-style: italic;">Jonah Hex</span> or <span style="font-style: italic;">Catwoman</span> or <span style="font-style: italic;">Batman and Robin</span>. It doesn't inspire outright disgust or confusion, merely indifference.<span style="font-style: italic;"> Thor</span>'s few shining moments outnumber those of <span style="font-style: italic;">Green Lantern</span>, though not by much, and the end result is pretty much the same: a shrug and a <span style="font-style: italic;">meh</span>, and in two weeks I will have forgotten I've seen it.<br /><br />Most importantly, I have no desire to see <span style="font-style: italic;">Green Lantern </span>a second time. In that regard, DC has succeeded in catching up to Marvel Studios--their movies (<span style="font-style: italic;">Iron Man</span>, <span style="font-style: italic;">The Incredible Hulk</span>, <span style="font-style: italic;">Iron Man 2</span>, and<span style="font-style: italic;"> Thor)</span> haven't been worth a second look, either.<br /><br />This isn't a cohesive review, so much as a random collection of observations:<br /><br />Why is the planet Oa so drab and ugly? So damned dingy and dark? It's lazy, uninspired production design, to be sure, but I wonder if it's not intentional--there's a lot of compositing in this movie, and if you're on a tight budget, you can hide your seams much easier in darkest night than you can in brightest day. Whatever the case, the end result is ugly and without even a shred of awe.<br /><br />The movie's internal logic is peppered with holes, the worst of which can be found in the handling of the Guardians and Sinestro.<br /><br />Parallax is pretty much doom incarnate, <span style="font-style: italic;"></span>but he's also the Guardians' dirty little secret. There are thousands of members of the Green Lantern Corps, and yet only one of them knows about Parallax. Before the movie starts, Parallax is defeated and imprisoned, and <span style="font-style: italic;">no one is placed to guard the most dangerous force in the galaxy</span>. He's just sitting there, waiting for anyone to free him with a yellow drop of fear.<br /><br />When they learn of his return, how do the Guardians respond? By authorizing Sinestro to take nine or ten Corps members to face him. Again, there are thousands of Corps members, and they send<span style="font-style: italic;"> fewer than a dozen?</span><br /><br />The Guardians suck.<br /><br />Logic says that you send <span style="font-style: italic;">the whole damned Corps</span> to face the Ultimate Evil, but the climax reveals Parallax to be such an easy-to-lick punk that the entire Corps could obviously have taken him--no sweat. Or maybe they'd all have died like most of Sinestro's small crew. So what? They serve no purpose, anyway, other than to stand around and make <span style="font-style: italic;">Star Wars</span> cantina creature noises and sell toys, so why not wipe out the entire Corps and have Hal Jordan's victory at the end actually mean something? Make your sucky villain look formidable, end the movie with Jordan rebuilding the Corps, and avoid a ludicrous lapse in logic that undermines the whole shaky mess.<br /><br />Sinestro: ah, Sinestro. A Marvel guy, I haven't read many books featuring Sinestro, but I grew up watching the <span style="font-style: italic;">Superfriends</span>, so I got a nerd chill when he put on the yellow ring, but here's the problem: nothing about this Sinestro says that he'd ever put that ring on. (Nothing but his damned <span style="font-style: italic;">name</span>, of course.) Yeah, he pushes to forge a yellow ring, far too late the the game (he should have been pushing for this from the start), but he is proven wrong by Hal Jordan, and not once are we given any reason to believe he was actually tempted by the yellow power of fear.<br /><br />He puts that ring on at the end simply because he does so in the comics, and not because any logic inherent in this particular storyline dictates that he do so.<br /><br />And <span style="font-style: italic;">why is no one guarding the yellow ring?</span> The Guardians need to be overthrown and executed in the murky streets of Oa because they're clearly all suffering from immortality-induced dementia.<br /><br />Good things to say? Sure--the make-up FX are spectacular. Not just okay, but absolutely stellar. I saw no names that I recognized in the credits, but whomever is responsible for the practical make-up work on Sinestro, Abin Sur, and Hector Hammond's bulgy head deserves an Oscar. It's as good as it gets. (Unlike the CGI, which is hit-and-miss, as it always is in FX-driven flicks with ambitions larger than their FX budgets.)<br /><br />Sinestro, again: flawed logic aside, he's the coolest thing in the movie. He doesn't have much to do, but he looks and sounds cool and I wanted more, and that's saying something, because he's a pink-skinned alien named Sinestro, and I'm not a twelve-year-old boy living in 1963. Mark Strong does a great job, and I'll allow myself to fantasize that someone with actual skill will write the sequel and we'll get a good movie about a green guy fighting a yellow guy.<br /><br />My hometown, New Orleans, must be one of the most recognizable places on the planet. In <span style="font-style: italic;">Green Lantern</span>, the city that care forget is digitally manipulated and expanded, but there's just no mistaking the suburban shots, the coastal scenes, and even the<span style="font-style: italic;"> sky</span>. I love my city, and it was nice to see it on screen. If this movie did one thing right, putting the talented folks down here to work was it.<br /><br /><span style="font-style: italic;">Green Lantern </span>gets one thing right that <span style="font-style: italic;">Thor</span> didn't, I guess--it's talisman. In the comics, Green Lantern, Thor, and Captain Marvel are all cut from similar cloth. As object/magic-based heroes, they serve as the ultimate childhood fantasy: find some special item, get powers. In the original <span style="font-style: italic;">Thor</span> comics, Donald Blake discovered Thor's hammer and, being worthy, <span style="font-style: italic;">became</span> Thor, just as Billy Batson became Captain Marvel ("Shazam!"). Thor's hammer even has it's own magic words:<br /><br /><span style="font-style: italic;">Whosoever Holds This<br />Hammer, If He Be Worthy,<br />Shall Possess The Power<br />Of THOR</span><br /><br />Odin utters this line in the movie, after stripping Thor of his power, but why? The hammer gets lodged in a rock, all Excalibur-like, but Thor never retrieves it. His daddy eventually summons it and sends it to him, the whole lodged-in-rock sequence serves no purpose (unless you count facilitating yet another Stan Lee cameo), and the words on the hammer are just an empty nod to fandom.<br /><br /><span style="font-style: italic;"></span>I hold out little hope for <span style="font-style: italic;">Captain America</span>. Yes, the trailers promise the <span style="font-style: italic;">Raiders</span>-esque WWII-era Cap film comic readers have longed for, but this is Joe Johnston. He's a competent technician at best, sort of the cinematic equivalent of a good sessions drummer. If Kenneth Branagh can't get a Marvel movie right, I'm not sure the director of <span style="font-style: italic;">Jurassic Park 3</span> and <span style="font-style: italic;">The Wolfman</span> can.<br /><br />The point of all this?<span style="font-style: italic;"><span style="font-style: italic;"><br /><br /></span></span>Go see<span style="font-style: italic;"><span style="font-style: italic;"> </span>X-Men: First Class, </span>of course.RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-67032593108611402292011-03-04T14:51:00.002-06:002011-03-04T14:58:59.451-06:00Kirkman Talks Season TwoHere's a pretty nifty <a href="http://insidetv.ew.com/2011/03/02/walking-dead-season-two-details/">interview</a> with Robert Kirkman, in which he reveals that Hershel's farm will come into play. The Rick/Shane drama will also continue. My suspicion is that they will make it last until mid-season, by which point Carl will have gotten in some gun practice and, well, y'know...RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-27960864291144142652011-03-04T02:35:00.004-06:002011-03-04T02:39:40.795-06:00Pray To Stay UpdatedThanks to those of you who picked up the Kindle edition of PRAY TO STAY DEAD. With an e-book, it's sometimes hard to tell just how large is the book that you're buying, which can make pulling the trigger on a purchase difficult.<br /><br />PRAY TO STAY DEAD is approximately 110k words long, and the print edition will clock in at nearly 350 pages.RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-46998446371767950222011-03-04T01:24:00.006-06:002011-03-04T02:33:40.196-06:00THE WALKING DEAD at my front door<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://a8.sphotos.ak.fbcdn.net/hphotos-ak-ash4/184913_1612139705662_1301364560_31479430_7314078_n.jpg"><br /></a>I shouldn't have watched THE WALKING DEAD the first time around. AMC sent me a screener of the first two episodes, and that was cool--I got to see those episodes several weeks in advance, the only drawback being the picture quality: it was terrible. Just a pixelated, non-anamorphic mess that looked really bad on my 50" plasma screen. Image quality on my Standard Definition satellite service is worse, and the remaining episodes gave me the impression that THE WALKING DEAD just didn't look very good, a fact that detracted from my enjoyment of the show.<br /><br />Today I received the WALKING DEAD Blu-Ray press kit. It arrived in a bloody-footprint-stamped envelope that must have alarmed my mail carrier, and contained a nifty full-color folder containing character sheets and some nice shots of KNB's excellent make-up work. I haven't had time to sit down and watch the entire show in HD, but the little that I did watch this evening was an eye-opener.<br /><br />THE WALKING DEAD's 16mm photography is beautiful. Lush and sharp, with a subtle, organic grain--not some post faux digital grain. This isn't the show I watched late last year, and I kinda wish I had waited. Unless I get an HD service before Season Two, I just may wait for DVD...<br /><br />In addition to the complete series, the DVD (available in both Standard Definition and HD on March 8th), contains an assortment of extras:<br /><br /><ul><li>Featurettes: <ul><li>The Making of <i>THE WALKING DEAD</i> </li><li>Inside <i>THE WALKING DEAD</i>: Episode 1-6 </li><li>A Sneak Peek with Robert Kirkman </li><li>Behind The Scenes Zombie Make-Up Tips </li><li>Convention Panel With Producers </li><li><i>THE WALKING DEAD</i> Trailer</li><li><br /></li></ul> </li><li>Extra Footage: <ul><li>Zombie School </li><li>Bicycle Girl </li><li>On Set With Robert Kirkman </li><li>Hanging With Steven Yeun </li><li>Inside Dale's RV </li><li>On Set With Andrew Lincoln</li></ul></li></ul> <div style="overflow: hidden; color: rgb(0, 0, 0); background-color: transparent; text-align: left; text-decoration: none; border: medium none;">I'd seen many of these online, but they're worth checking out--the "Bicycle Girl" clip is fun, and the Make-Up Tips segment shows you how a pro does it with a limited Halloween budget.<br /><br /><a href="http://a8.sphotos.ak.fbcdn.net/hphotos-ak-ash4/184913_1612139705662_1301364560_31479430_7314078_n.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 348px; height: 260px;" src="http://a8.sphotos.ak.fbcdn.net/hphotos-ak-ash4/184913_1612139705662_1301364560_31479430_7314078_n.jpg" alt="" border="0" /></a><br /><br /></div>RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-46834204723907123162011-03-03T00:39:00.003-06:002011-03-03T00:46:12.778-06:00PRINT IS DEAD is alive<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.printisdead.com/pray-to-stay-ad-small.jpg"><br /></a>We started this blog a few years back, when we decided to launch our own zombie imprint. As you can see, we haven't touched it in a while.<br /><br />It was a long time coming, but the zombie imprint is <span style="font-style: italic;">here</span>...<br /><br /><br /><a href="http://profile.ak.fbcdn.net/hprofile-ak-snc4/188080_128378767235463_1071204_n.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 180px; height: 251px;" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/188080_128378767235463_1071204_n.jpg" alt="" border="0" /></a><br /><br />We're pleased to announce that the first novel from Print Is Dead, our new zombie line, is now available through Kindle. The trade paperback will be available for order wherever books are sold within two weeks.<br /><br /><br />ABOUT THE BOOK<br /><br />1974.<br /><br />The Summer of Love is a fading memory, the Cold War rages on, Richard M. Nixon is barely holding onto the Presidency, and the dead are returning to life.<br /><br />Five friends on their way to a week at Lake Tahoe, a Vietnam veteran in Sacramento trying to get home to his daughter in New Mexico, an older couple idling in a dusty shop in the hills, and a dangerous man who has spent twenty years preparing his strange family for the end of the world...<br /><br />As civilization collapses, these scattered survivors cross paths, and the hungry dead are the least of the horrors unleashed.<br /><br />Those who die will walk. Those who live will hope for a quick death, and they will...<br /><br />PRAY TO STAY DEAD.<br /><br /><br />PRAISE<br /><br />"A brutally entertaining collision of zombie thriller and grindhouse action. Not for the faint of heart!"<br /><br />Jonathan Maberry, New York Times bestselling author of Patient Zero<br /><br /><br />"This guy Mason James Cole knocked me back on my heels. I've read a lot of zombie books over the last few years, and frankly, I thought I had seen it all. It seemed like nothing could shock me anymore. But Pray to Stay Dead delivered on all fronts. It's got all the raw emotional violence and brutal gore one would expect from a zombie book, but those things are only the surface of this tale. Underneath, Pray to Stay Dead possesses an elegantly simple style of storytelling that I haven't found since my first encounter with Jack Ketchum. Mason James Cole is that good. Read Pray to Stay Dead, and then pray this guy writes more soon, because he's the real deal."<br /><br />- Joe McKinney, author of Dead City and Apocalypse of the Dead<br /><br /><br />ABOUT THE AUTHOR<br /><br />Mason James Cole is the pseudonym of an apparently mild-mannered conservative type who doesn’t want his family and friends to know he writes stuff like this. His boring but lucrative job keeps him on the road five months out of the year, and that’s when he watches scary movies, reads scary books, and writes scary stories. He smiles and nods through church every Sunday and secretly votes Green. He lives in Farmington, Utah.<br /><br /><br />ABOUT PRINT IS DEAD<br /><br />PRINT IS DEAD is a new line of top-quality zombie novels brought to you by the critically acclaimed indie publisher, Creeping Hemlock<br />Press. Each title is available in both paperback and e-book format.<br /><br />www.printisdead.com<br /><br />"These guys know more about the undead than I do... and that's saying something, because I've been hanging out with zombies for as long as I can remember."<br /><br />-- George A. Romero<br /><br /><br /><br /><br /><div style="text-align: center;"><a href="http://www.printisdead.com/pray-to-stay-ad-small.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 407px; height: 611px;" src="http://www.printisdead.com/pray-to-stay-ad-small.jpg" alt="" border="0" /></a></div>RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com2tag:blogger.com,1999:blog-8813034191516166980.post-86135401151747017792009-10-19T22:00:00.005-05:002009-10-19T22:47:21.678-05:00Thirst<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_A3cA1YH6fQg/St0xs-j1ngI/AAAAAAAAAEA/JXSdKMYEKfI/s1600-h/thirst.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 280px; height: 400px;" src="http://4.bp.blogspot.com/_A3cA1YH6fQg/St0xs-j1ngI/AAAAAAAAAEA/JXSdKMYEKfI/s400/thirst.jpg" alt="" id="BLOGGER_PHOTO_ID_5394522577437040130" border="0" /></a><br />Decades of fancifully lousy representations have given me cause to be trepidatious when walking into a vampire movie. <span style="font-style: italic;">Thirst </span>by Park Chan-Wook was no exception. My husband and I had a double date with a comedy rapper and a Russian-born psych student (not relevant to the review; just had to put that out there) and we all arrived early to guarantee good seats. Everyone else's expectations were high, which meant I was nervous. <span style="font-style: italic;">I love Park's work. But <span style="font-weight: bold;">vampires</span>?</span><br /><br />As put off as I am by traditional vampires, I'm even more apprehensive of "reimaginings" of the vampire mythos. (Y'all know that of which I speak. <span style="font-style: italic;">coughglittercough</span>) I thought maybe we'd be treated to a depiction of Korea's historical equivalent of the European vampire, but was pleasantly surprised to learn that <span style="font-style: italic;">Thirst</span>'s vampires are about as conventionally western as they come: night-dwelling, super-strong, immortal, black-bedecked bloodsuckers, obsessed with Christian images and superstitions and the struggle between good and evil. It's interesting to see this faithful representation of western myth cast through the lens of an Asian culture. It strikes me that Europe's vampire, the evil spirit of the dead that comes by night to feast upon the blood of the living, turning to ash at the touch of sunlight, fits in perfectly with the majority of Asian lores, which are saturated with malicious revenants bound by quirky, complex rules. Our Draculas and Nosferatus would fit in perfectly over there.<br /><br />As I expected from Park, every shot is crafted conscientiously and individually, paying attention to the entire toolbox available to cinematographers but somehow never feeling overly artsy or conspicuous, always in service of telling the story rather than distracting the audience with flashy visuals. American directors ought to be ashamed of themselves; with a few remarkable exceptions, cinematography has become a sleepy game of Follow the Leader, made up of cut corners and obvious answers intended to keep the production short and cheap. And when it's not that, when it's designed to impress, the poor audience is bludgeoned with sweeping (typically artificial) vistas, junky color correction and hamfisted, "Look how dramatic" shots. Park allows his environments to be natural and his scope is mostly kept to the characters' awarenesses. The shot style often reflects their emotions.<br /><br />Park's paramount <span style="font-style: italic;">Vengeance </span>trilogy (full disclosure: I've only seen two of them) thrives on black and bitter peripeteias that make you cry "Mercy!" The same notes are struck in <span style="font-style: italic;">Thirst</span>, though lightly, and the supernatural subject matter in combination with a heightened dark comedy angle make the whole experience less realist and, thus, far less harrowing than those films. Still, the story twists in a dozen little directions from act to act, so the predictability factor is zero.<br /><br />It's probably fair to say that my favorite things about <span style="font-style: italic;">Thirst </span>are the non-vampire things. (And that's a lot; the story is largely about humanity and its motions.) I am not converted, I still expect vampire movies to suck, but I have had a bit of a revelation. Between this and <span style="font-style: italic;">Let the Right One In</span>, I see that even subgenres I've written off as foolishly gothic can come calling in the form of a movie I love, provided the right director is molding it.<br /><br />I have learned to trust Park absolutely. He has my blessing to adapt for screen stories that I would otherwise have nothing but disdain for, and I'll be first in line. Perhaps he could try a sports legend biopic next. I'll place myself in his fatherly care.Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-8813034191516166980.post-85181779573873521522009-10-16T22:01:00.002-05:002009-10-16T22:03:02.116-05:00I have a new euphemism for suicide<a href="http://www.latimes.com/news/local/la-me-marina-death17-2009oct17,0,3558556.story">"Putting up Halloween Decorations"</a>Unknownnoreply@blogger.com7tag:blogger.com,1999:blog-8813034191516166980.post-74800600281737876272009-10-16T22:00:00.002-05:002009-10-16T22:01:42.816-05:00Pepper's GhostFun video explanation of the Pepper's Ghost trick at Disney's Haunted Mansion.<br /><br /><br /><object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/rm9X04AGkyw&hl=en&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/rm9X04AGkyw&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"></embed></object>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-15879663658468782402009-10-16T19:26:00.010-05:002009-10-16T21:59:12.768-05:00PSYCHI've been watching the USA show <span style="font-style: italic;">Psych </span>for a couple years. Each episode is a happy potluck of inventively geeky plots, low-stakes drama, fake psychicry and real cowardice, Easter Egg pineapples, rapidfire wiseassery, Final Jeopardy-level eighties references, third-tier celebrity appearances, and, dependably, yet more fodder for my crush on Secret-Latino James "Roday" Rodríguez. (Oh, James, talk <span style="font-style: italic;">Tejano </span>to me!)<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_A3cA1YH6fQg/Stkw8uxcOHI/AAAAAAAAAD4/JhdhJBJi0OQ/s1600-h/jr.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 314px; height: 400px;" src="http://2.bp.blogspot.com/_A3cA1YH6fQg/Stkw8uxcOHI/AAAAAAAAAD4/JhdhJBJi0OQ/s400/jr.jpg" alt="" id="BLOGGER_PHOTO_ID_5393395848658565234" border="0" /></a><br />Best (and most surprising) of all is the occasional emergence of really savvy horror-homage elements. I'd credited the writers alone for these secret-handshake gestures (such as the name of the final episode of the second season: "Shawn [and Gus] of the Dead") until I watched February's documentary on the SciFi channel (back before it was Siphy), <a style="font-style: italic;" href="http://www.amazon.com/gp/product/B001L9EXNO?ie=UTF8&tag=thewebofhorro-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B001L9EXNO">His Name Was Jason: 30 Years of Friday the 13th</a><img src="http://www.assoc-amazon.com/e/ir?t=thewebofhorro-20&l=as2&o=1&a=B001L9EXNO" alt="" style="border: medium none ! important; margin: 0px ! important;" width="1" border="0" height="1" />, wherein <strike>Rodríguez</strike> Roday gushed his commentary and memories in the company of innumerable Hollywood power players. Yes, the varied cast of grateful creators and thinkers illustrates the far and wide influence of <span style="font-style: italic;">Friday the 13th</span>. Indeed, there are many commentators whose names I almost recognized!<br /><br />His gushing proved it: James Roday appears to be the genuine article, a dyed-in-the-dollar-cinema horror geek. (He was also the biggest name attached to the Freddy Tribute Special even if you DO count the next-highest contenders--and you most certainly shouldn't, as they were all involved in the original project, namely Cunningham, Manfredini, and Savini.)<br /><br />Learning that Roday was a genre nerd sealed the deal on my infatuation, <span style="font-style: italic;">naturalmente</span>. Apparently the lead actors on <span style="font-style: italic;">Psych</span> have a pretty considerable hand in shaping the show's content. They even did a group panel--actors and writers--at this year's San Diego ComicCon. Unusual? Mmmmm<span style="font-style: italic;">yyyeeeeeesssss</span>.<br /><br />The most blatantly and thoroughly genriffic episode was, of course, "Tuesday the 17th", the penultimate episode of last season. This season has so far brought us an <a style="font-style: italic;" href="http://www.amazon.com/gp/product/B001992NW4?ie=UTF8&tag=thewebofhorro-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B001992NW4">Exorcist</a><img src="http://www.assoc-amazon.com/e/ir?t=thewebofhorro-20&l=as2&o=1&a=B001992NW4" alt="" style="border: medium none ! important; margin: 0px ! important;" width="1" border="0" height="1" />-inspired episode ("The Devil Is in the Details... And the Upstairs Bedroom", August 28) and last week's episode, "Let's Get Hairy", a werewolf-themed episode featuring none other than David Naughton. (Okay, it featured <span style="font-weight: bold;">one </span>other than David Naughton; Biff from <span style="font-style: italic;">Back to the Future</span> played, as well. Hey, I said third-tier and I meant it.) It bears mentioning that there is no genuine supernatural element to the show. Rather, as straight mysteries go, nothing is what it seems, and the culprit never turns out to be <span style="font-style: italic;">reeeeaaal ghoooosts wooooo</span>. It's a little like <span style="font-style: italic;">Scooby-Doo</span> that way. Also, the protagonists are a duo of constantly-in-over-their-heads goofballs who bug eyes and turn tail almost as often as they munch branded snacks. Make of that what you will.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_A3cA1YH6fQg/StkudzqCAyI/AAAAAAAAADw/SkigxG1NM0Q/s1600-h/overview.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 122px;" src="http://1.bp.blogspot.com/_A3cA1YH6fQg/StkudzqCAyI/AAAAAAAAADw/SkigxG1NM0Q/s400/overview.jpg" alt="" id="BLOGGER_PHOTO_ID_5393393118370464546" border="0" /></a><br />Alas, I lack basic cable, so I've not yet caught tonight's episode, the fall finale. However, USA Network graciously places the full episodes on their website one week after they air. I can't link to a specific video but the navigation is easy-peasy.<br /><br /><a href="http://www.usanetwork.com/series/psych/video/fullep/">Full (recent) Episodes of PSYCH at USANetwork.com</a><br /><br /><span style="font-size:78%;"><span style="font-style: italic;">¡Llámame, Jaime! ¡Te quiero!</span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-88968404283452476552009-10-16T18:16:00.000-05:002009-10-16T18:17:26.463-05:00Wordle is AdorableAnd this doesn't belong here.<br /><br /><br /> <a href="http://www.wordle.net/show/wrdl/1236302/the_dead_dont_die" title="Wordle: the dead dont die"><img src="http://www.wordle.net/thumb/wrdl/1236302/the_dead_dont_die" alt="Wordle: the dead dont die" style="border: 1px solid rgb(221, 221, 221); padding: 4px;" /></a>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-89743579319718649642009-10-15T22:58:00.004-05:002009-10-15T23:35:54.531-05:00Shambling to New Orleans<input id="gwProxy" type="hidden"><!--Session data--><input onclick="jsCall();" id="jsProxy" type="hidden"><div id="refHTML"></div>If you're going to be at Voodoo Fest in New Orleans this Halloween, be sure to slap on some greasepaint and register (register. <span style="font-style: italic;">REGISTER</span>!) to be counted in <strike>Disneyland for Alcoholics'</strike> the Big Easy's attempt at an official record-breaking Zombie Walk! Get your Instant Zombie tips below.<br /><br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/CHzEp4X34cg&color1=0x5d1719&color2=0xcd311b&hl=en&feature=player_embedded&fs=1"><param name="allowFullScreen" value="true"><param name="allowScriptAccess" value="always"><embed src="http://www.youtube.com/v/CHzEp4X34cg&color1=0x5d1719&color2=0xcd311b&hl=en&feature=player_embedded&fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="344" width="425"></embed></object><input id="gwProxy" type="hidden"><!--Session data--><input onclick="jsCall();" id="jsProxy" type="hidden"><div id="refHTML"></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-45821173781304933182009-10-15T22:55:00.001-05:002009-10-15T22:58:31.428-05:00This just inZombies are, apparently, hot. <a href="http://www.avclub.com/articles/october-14-2009,34089/">Check out this week's <span style="font-style: italic;">Savage Love</span> at the Onion AV Club.</a><input id="gwProxy" type="hidden"><!--Session data--><input onclick="jsCall();" id="jsProxy" type="hidden"><div id="refHTML"></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-90657924213803990122009-10-08T23:07:00.004-05:002009-10-09T00:34:34.962-05:00Review: ZombielandIt's gotten harder and harder to knock my socks off with a movie. Lately the honor seems reserved for sparsely set dramas that lay on the abject, self-destructive, human-condition themes fairly thick.<br /><br />The trailer for <span style="font-style: italic;">Zombieland</span>, however, had me over the moon with juvenile excitement--RJ and me both, actually. It was our favorite movie ever that we hadn't actually <span style="font-style: italic;">seen</span>. The snappy physical comedy, unaffected cinematography, dorky lead, witty third-person omniscient observations, slow motion attacks, Van fucking Halen--what <span style="font-style: italic;">wasn't</span> exciting? I declared it "the perfect zomedy", a sentence which physically pained me to construct, since I've said time and again that I'm no fan of neologisms, and, further, that neologistic portmanteaus are outright offensive. But in this case there was no other way to say it.<br /><br />The actual movie keeps the trailer's promise by delivering all these fun features, distributed quite adequately, and more. I won't even give it away, because the second act has a prize so timeless and perfect that Harrison Ford himself would get off his Hoveround just to catch a glimpse of it.<br /><br />None of this will come as any surprise to those who've been following <span style="font-style: italic;">Zombieland</span> at all (of course, those people will have already seen it by now). It's holding steady as a B+ at <a href="http://www.rottentomatoes.com/m/zombieland/">Rotten Tomatoes</a> and handily earned back its budget in the first weekend (domestic).<br /><br />The weaknesses are brought by the comedy element alone, and are fine examples to illustrate why I don't care for comedies in general: Dialog is dedicated to larfs rather than nuanced exposition of well-thought-out characters, so it's hard to care when disaster (or even love) befalls them.<br /><br />Secondly, similarly, and tragically (I say "tragically" because it cropped up at the very end, leaving a sour taste in my mouth about the film overall), the comedy actually irreparably undercut the climax. I'm giving away little (and even less worth preserving) when I say the movie's last act takes place in an amusement park that a couple of characters had been trekking to, thinking it a safe haven. Obviously, this Shangri-La gives the film its name, and would have done so from the concept stage of production, when, perhaps, the characters were more fluid and the tone of the film, like a flan in the oven, was not yet set. It's a crime that the first sixty minutes of the movie grew to be something downright remarkable but, due to the locked-in title, (if my projections are correct) that stupid finale in the stupid theme park had to stay. Nevermind that it makes no logical sense on any scale, that savvy characters become as hapless children when they set foot in Pacific Playland. Nevermind even that the very goal of getting these streetwise characters to the park necessitates a precipitate string of out-of-character decisions.<br /><br />BAH. Nevermind. I'm going back to thinking about the great parts, and there are many.<br /><br />Does this flick knock <span style="font-style: italic;">Shaun of the Dead</span> off the throne? That's subjective, a matter of taste. There would be no <span style="font-style: italic;">Zombieland </span>without Simon Pegg and Edgar Wright, I'm sure, but the quality of the former is undeniable. It's close enough, though, that there will be a hearty debate in horror-geek circles on the topic for years to come. And that's refreshing.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-1927783457993513522009-10-02T11:37:00.004-05:002009-10-02T11:47:53.767-05:00See what I mean?They're everywhere:<br /><br /><a href="http://www.cnn.com/2009/SHOWBIZ/10/02/zombie.love/index.html">CNN on the enduring popularity of zombies.</a><br /><br />Yesterday I said: "Max Brooks may very well never outsell <span style="font-style: italic;">The Zombie Survival Guide</span>," a statement that may very well be proven to be in error: this Wednesday, Brooks's third book, <span style="font-style: italic;">The Zombie Survival Guide: Recorded Attacks</span>, hits shelves. It's a graphic novel, which means that it has fewer words and more pictures, which in turn means that it has broader appeal to the stumbling slack-jawed hordes.<br /><br />Not that I won't be purchasing a copy, of course. Or that you won't, right here:<br /><br /><a href="http://www.amazon.com/gp/product/030740577X?ie=UTF8&tag=thewebofhorro-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=030740577X">The Zombie Survival Guide: Recorded Attacks</a><img src="http://www.assoc-amazon.com/e/ir?t=thewebofhorro-20&l=as2&o=1&a=030740577X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br /><input id="gwProxy" type="hidden"><!--Session data--><input onclick="jsCall();" id="jsProxy" type="hidden"><div id="refHTML"></div><br /><br />ZOMBIELAND was fun. I'm working on my review now, which will run at <a href="http://www.fearzone.com">Fear Zone</a>. The lovely and talented Julia may chime in with her own thoughts later.RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-23582358763484675202009-10-01T13:16:00.006-05:002009-10-01T14:30:05.288-05:00Welcome to Zombieland...Not the movie, which I'm seeing tonight, but the world in which we live.<br /><br /><span style="font-weight: bold;">The Zombie Explosion</span><br /><br />Twenty years ago, it seemed like all we had were three Romero movies, a few Italian oddities, CHILDREN SHOULDN'T PLAY WITH DEAD THINGS, and that funny one that convinced the public that zombies love to eat brains. In the printed realm, there was Skipp and Spector's BOOK OF THE DEAD, and Philip Nutman's novel-length expansion of his short story, <span style="font-style: italic;">Wet Work</span>. DEAD/ALIVE came along and moistened things up a bit, but, beyond that, there really wasn't much for a zombie fan to chow down upon...<br /><br />Today, one could say that our cup hath runneth over: zombies are everywhere. In less than five years, we've gotten <span style="font-style: italic;">three</span> new Romero movies. Over the past decade, Skipp, Spector, and Nutman have been scooted down the shelf to make room for tomes by Max Brooks, Brian Keene, Kim Paffenroth, and a shambling and varied host of other zombie novels.<br /><br />Romero predicted the zombie apocalypse, and it is here: the living dead are everywhere. Slim pickings have given way to an embarrassment of Rhodes-style open-belly feasts, and one has to wonder: how much is too much? Is the grue-filled balloon about to burst?<br /><br />Yes and no.<br /><br />Gamers have shown no sign of zombie fatigue. After a decade, <span style="font-style: italic;"><leo_highlight style="border-bottom: 2px solid rgb(255, 255, 150); background: transparent none repeat scroll 0% 0%; cursor: pointer; display: inline; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" id="leoHighlights_Underline_0" onclick="leoHighlightsHandleClick('leoHighlights_Underline_0')" onmouseover="leoHighlightsHandleMouseOver('leoHighlights_Underline_0')" onmouseout="leoHighlightsHandleMouseOut('leoHighlights_Underline_0')" leohighlights_keywords="resident evil" leohighlights_url="http%3A//thebrowserhighlighter.com/leonardo/highlights/keywords?keywords%3Dresident%20evil">Resident Evil</leo_highlight></span>--the spark behind today's zombie craze--is still going strong, and its progeny (LEFT 4 DEAD, DEAD SPACE, DEAD RISING) are among the most popular games on the market.<br /><br />In movie theaters, zombies have yet to take a serious chunk out of the box office. Films like [REC] and DIARY OF THE DEAD receive limited theatrical runs, and a modern classics like SHAUN OF THE DEAD produce less-than-stellar box office numbers. Zack Snyder's remake of DAWN OF THE DEAD remains the reigning zombie box office king, and it's popularity is due more to the fact that it's a balls-out action packed horror film than to the fact that the movie-going public at large were champing at the bit to see zombies on the big screen.<br /><br />As far as books are concerned, the public will move on. Some new trend will pass over the cultural landscape, and a few major publishers will get burned, having dumped too much money into a zombie book simply because <span style="font-style: italic;">Pride and Prejudice and Zombies</span> sold well, and Max Brooks may very well never outsell <span style="font-style: italic;">The Zombie Survival Guide</span>.<br /><br />There will, however, always be an audience for zombie books. Zombies have <span style="font-style: italic;">niche</span> appeal, and I don't believe the core audience--the folks who purchased 20,000 copies of DAY BY DAY ARMAGEDDON, for example--is going <span style="font-style: italic;">any</span>where. They've been around for quite some time, and while their numbers are not strong enough to put anyone on the NY Times Bestsellers List, they are more than powerful enough to keep several small presses afloat for the foreseeable future.<br /><br />Outside of games, movies, and books, zombies continue to disappoint nut-jobs the world over by simply<span style="font-style: italic;"> insisting</span> upon remaining fictional.<br /><span style="font-weight: bold;"></span><br /><span style="font-weight: bold;">Big Book News</span><br /><br />We're about to find out just how strong the zombie book buying audience really is: George A. Romero, the real Big Daddy, has reportedly been paid a $300,000 advance by UK publisher <a href="http://www.headline.co.uk/">Headline</a> to pen two zombie novels. The first, aptly titled <span style="font-style: italic;">The Living Dead</span>, will reveal "the origin of the zombie realm," and will give us "glimpses of increasing chaos from around the globe."<br /><br />A decade ago, Romero dipped his toe into these waters, with a serialized e-book, the somewhat Vonnegutian <span style="font-style: italic;">The Death of Death</span>. The plug was pulled on that project one hundred pages in, but elements of the story have shown up Romero's recent work, and I suspect the minute-by-minute, around-the-globe time-line style of <span style="font-style: italic;">Death</span> will carry over into <span style="font-style: italic;">The Living Dead</span> and its sequel.<br /><br />Click <a href="http://www.guardian.co.uk/books/2009/oct/01/george-a-romero-zombie-novel">here</a> for more.<br /><br /><span style="font-weight: bold;">Zombieland</span><br /><br />Thanks to the fine folks at Sony Pictures and Moroch, I'll be attending a press screening of ZOMBIELAND tonight. 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</script></span>RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-27831403692237011432009-09-29T19:28:00.002-05:002009-09-29T19:30:31.382-05:00The Ultimate Zombie Survival Guide<a href="http://www.youtube.com/watch?v=7EbeqPynF2s">A 10-minute faux-vintage informational video. Check it out at YouTube.</a><input id="gwProxy" type="hidden"><!--Session data--><input onclick="jsCall();" id="jsProxy" type="hidden"><div id="refHTML"></div>RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com0tag:blogger.com,1999:blog-8813034191516166980.post-65490022076349845862009-09-28T19:56:00.009-05:002009-09-28T20:15:10.564-05:00Do You Have the Crazy?<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLuFhs983QQhR3Onq23awQ2FIDLUZ5WC2kQxmfWggguPEeGKwgdO15A_46R4eDrCEbmr-sO2lyBIFyLN7SgveVZAls7DAk21ENP_EI4lpa7ej3NZHcqRgbB8axHcV6xVnvXqPqbqgXITY/s1600-h/Crazies_teaser.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 135px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLuFhs983QQhR3Onq23awQ2FIDLUZ5WC2kQxmfWggguPEeGKwgdO15A_46R4eDrCEbmr-sO2lyBIFyLN7SgveVZAls7DAk21ENP_EI4lpa7ej3NZHcqRgbB8axHcV6xVnvXqPqbqgXITY/s200/Crazies_teaser.jpg" alt="" id="BLOGGER_PHOTO_ID_5386690990664857218" border="0" /></a>The remake onslaught continues with THE CRAZIES, a movie "loosely based" on George A. Romero's little-seen original.<br /><br />Aside from Justin Welborn, star of THE SIGNAL*, I have no idea what to expect from this movie. Romero is listed as Executive Producer, but I don't know if he had any real input.<br /><br />Here's the teaser poster. Click to make it all nice and big.<br /><br /><span style="font-size:78%;"> *Probably the best movie ever made about a town going nuts, as well as my choice for best horror film of the past twenty years.</span>RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com1tag:blogger.com,1999:blog-8813034191516166980.post-22632332831021150782009-09-28T08:46:00.011-05:002009-09-28T11:02:31.006-05:00A Fanboy Nightmare<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhccl5A_yAvOGc428hX0KDDzUunjJ4sIAo3wdA8BhrodPP6x9P7Pg7xxHRZnek2kV1e-XU0m8Y6qInqxx8I3aGasgPl-wb9rnFvu4pSl-3XqTfkmPQ0AlDhwCG1LhKxopip9YTg6wrDgt8/s1600-h/n1301364560_30161357_5448.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 256px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhccl5A_yAvOGc428hX0KDDzUunjJ4sIAo3wdA8BhrodPP6x9P7Pg7xxHRZnek2kV1e-XU0m8Y6qInqxx8I3aGasgPl-wb9rnFvu4pSl-3XqTfkmPQ0AlDhwCG1LhKxopip9YTg6wrDgt8/s320/n1301364560_30161357_5448.jpg" alt="" id="BLOGGER_PHOTO_ID_5386539942182549122" border="0" /></a><br />In 1984, my mom took me to see A NIGHTMARE ON ELM STREET. I was nine years old. Whether or not she was acting responsibly is open for debate, but one thing is certain: I became obsessed with Wes Craven's scarred dream stalker.<br /><br />A make-up effects aficionado, I spent the first year or so of my unhealthy obsession wanting to get a good look at Freddy--he was always in shadows, and I hadn't discovered the joys of FANGORIA! The obsession died somewhere around '89, at roughly the same time as the interesting yet disappointingly awful DREAM CHILD, and by that point my favorite burned child-killer had been over-exposed to the point of being little more than a cartoonish joke.<br /><br />Twenty five years after the fact, I've grown up a little. Yeah, so, I <span style="font-style: italic;">did</span> buy a Freddy sweater from Hot Topic just last week, but I haven't watched any of the movies in years. I still hold the original film in high esteem, and consider the third film, DREAM WARRIORS, to be the quintessential '80s horror films, but overall, well... despite the R rating, these are movies best enjoyed by kids aged 12 & up.<br /><br />My point? <a href="http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=63620005">This trailer</a> gave me chills, of course.<br /><br />I've gone on record multiple times: remakes don't bother me. By their very nature, stories are meant to be retold and reinterpreted. Bad remakes are the problem. Good remakes give us things like THE THING, THE FLY, THE MALTESE FALCON, and <leo_highlight style="border-bottom: 2px solid rgb(255, 255, 150); background: transparent none repeat scroll 0% 0%; cursor: pointer; display: inline; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" id="leoHighlights_Underline_0" onclick="leoHighlightsHandleClick('leoHighlights_Underline_0')" onmouseover="leoHighlightsHandleMouseOver('leoHighlights_Underline_0')" onmouseout="leoHighlightsHandleMouseOut('leoHighlights_Underline_0')" leohighlights_keywords="the wizard of oz" leohighlights_url="http%3A//thebrowserhighlighter.com/leonardo/highlights/keywords?keywords%3Dthe%20wizard%20of%20oz">THE WIZARD OF OZ</leo_highlight>.<leo_highlight style="border-bottom: 2px solid rgb(255, 255, 150); background: transparent none repeat scroll 0% 0%; cursor: pointer; display: inline; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" id="leoHighlights_Underline_0" onclick="leoHighlightsHandleClick('leoHighlights_Underline_0')" onmouseover="leoHighlightsHandleMouseOver('leoHighlights_Underline_0')" onmouseout="leoHighlightsHandleMouseOut('leoHighlights_Underline_0')" leohighlights_keywords="the wizard of oz" leohighlights_url="http%3A//thebrowserhighlighter.com/leonardo/highlights/keywords?keywords%3Dthe%20wizard%20of%20oz"></leo_highlight><br /><br />It's easy enough for thirty-something film geeks to turn up their noses in condemnation. The original is perfectly fine the way it is, right? I agree, sure, to a point--but these are stories for young people, and young people need to be spoken to in the language of their day. They may still dig on Depp, but they're probably not all that interested in Heather Langencamp's voluminous mane.<br /><br />Warm and fuzzy nostalgia be damned, the original NIGHTMARE films <span style="font-style: italic;">can</span> be improved upon. The freshness of DREAM WARRIORS in 1987 will never be duplicated, and the sight of Freddy on the big screen --a face-peelin, arm-stretchin', belly-slicin', finger-choppin' revelation of sorts in 1984-- is merely an echo. But, technically, this new iteration of the franchise has every right to be the most well-made film of the lot.<br /><br />But Englund is the only man for the job, you say? Yes, well, have you heard: a UK-based company called Hammer is producing a Dracula movie <span style="font-style: italic;">without</span> Bela Lugosi! Some lanky loser named Christopher Lee is stepping into the cape. I hope he has a day job.<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM0fxi-Hcc54mYxR4GosmH8OE_GTkicfrL5J5dAt1l-F42kwDwwqMhxgSRm1VsBKP5NsMr_Ish6Ej4rb4CnxzUZWe2oXUvTVKOyK6YmW0T4g2jkXb7XEDbOr9KDJ1O-dndPdarGDxVdkc/s1600-h/mefred.gif"><img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 240px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM0fxi-Hcc54mYxR4GosmH8OE_GTkicfrL5J5dAt1l-F42kwDwwqMhxgSRm1VsBKP5NsMr_Ish6Ej4rb4CnxzUZWe2oXUvTVKOyK6YmW0T4g2jkXb7XEDbOr9KDJ1O-dndPdarGDxVdkc/s320/mefred.gif" alt="" id="BLOGGER_PHOTO_ID_5386549166854524018" border="0" /></a><br />Shut up. You're being silly.<br /><br />Haley is an excellent choice to fill the most iconic sweater in movie history, and the film certainly <span style="font-style: italic;">looks</span> nice (even if it does have Bay's wretched fingerprints all over each and every digitally-manipulated music-video-lookin' frame). The script--the draft I've read, anyhow--is mostly good, until it cheats and then causes the whole damned thing to collapse. My fingers are crossed that they've ironed out these problems.<br /><br />Despite the fact that the NIGHTMARE remake is not being made for me, and despite the fact that I have grown up somewhat since 1984, I will be there on opening day.<br /><br />I just have to decide whether or not to wear my sweater...<br /><br /><br /><br /><br /><input id="gwProxy" type="hidden"><!--Session data--><input onclick="jsCall();" id="jsProxy" type="hidden"><div id="refHTML"></div><input id="gwProxy" type="hidden"><!--Session data--><input onclick="jsCall();" id="jsProxy" type="hidden"><div id="refHTML"></div><input id="gwProxy" type="hidden"><!--Session data--><input onclick="jsCall();" id="jsProxy" type="hidden"><div id="refHTML"></div><span id="leoHighlights_iframe_modal_span_container"><div id="leoHighlights_iframe_modal_div_container" style="border: 1px solid black; position: absolute; visibility: hidden; display: none; width: 394px; height: 40px; z-index: 32768; background-color: white;" 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</script></span><input id="gwProxy" type="hidden"><!--Session data--><input onclick="jsCall();" id="jsProxy" type="hidden"><div id="refHTML"></div>RJ Sevinhttp://www.blogger.com/profile/11274624082972122806noreply@blogger.com2tag:blogger.com,1999:blog-8813034191516166980.post-26703840459137499992009-09-26T10:33:00.002-05:002009-09-26T10:36:20.009-05:00Simon Pegg & Nick Frost Fight ZombiesI have no idea what this comes from or how old it is. All told it's about a half hour, slow, and not exactly brilliant, but still thirty minutes better spent this way than watching TWO AND A HALF MEN or something. Cute.<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/ZnNIs4YKtZM&hl=en&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/ZnNIs4YKtZM&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/ZKABcFtDLDU&hl=en&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/ZKABcFtDLDU&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/CbnxcMtkf0M&hl=en&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/CbnxcMtkf0M&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-8813034191516166980.post-79441226186150000732009-09-26T08:50:00.001-05:002009-09-26T08:51:51.208-05:00Pics from SURVIVAL OF THE DEADFearNet.com has a gallery of fresh pics from the set of George A. Romero's newest project <span style="font-style:italic;">Survival of the Dead</span>.<br /><br /><a href="http://www.fearnet.com/news/photos/b16304_image_gallery_george_romeros_survival.html">Bon appetit!</a>Unknownnoreply@blogger.com0